2016 DISCIPLINE  |  VISUAL ART

Coco Fusco  |  Interdisciplinary Artist
Coco Fusco is an interdisciplinary artist and writer and the Andrew Banks Endowed Professor of Art at the University of Florida. She is a recipient of a 2014 Cintas Fellowship, a 2013 Guggenheim Fellowship, a 2013 Absolut Art Writing Award, a 2013 Fulbright Fellowship, a 2012 US Artists Fellowship and a 2003 Herb Alpert Award in the Arts. Fusco's performances and videos have been presented in the 56th Venice Biennale, two Whitney Biennials (2008 and 1993), BAM’s Next Wave Festival, the Sydney Biennale, The Johannesburg Biennial, The Kwangju Biennale, The Shanghai Biennale, InSite O5, Mercosul, Transmediale, The London International Theatre Festival, VideoBrasil and Performa05. Her works have also been shown at the Tate Liverpool, The Museum of Modern Art, The Walker Art Center and the Museum of Contemporary Art in Barcelona. She is represented by Alexander Gray Associates in New York.

Fusco is the author of English is Broken Here: Notes on Cultural Fusion in the Americas (1995) and The Bodies that Were Not Ours and Other Writings (2001), and A Field Guide for Female Interrogators (2008). She is also the editor of Corpus Delecti: Performance Art of the Americas (1999) and Only Skin Deep: Changing Visions of the American Self (2003). Her new book entitled Dangerous Moves: Performance and Politics in Cuba was recently issued by Tate Publications in London.

Fusco received her B.A. in Semiotics from Brown University (1982), her M.A. in Modern Thought and Literature from Stanford University (1985) and her Ph.D. in Art and Visual Culture from Middlesex University (2007).

GREENFIELD PRIZE VISUAL ART JURY

Franklin SirmansDirector of Perez Art Museum, Miami, FL

Wassan AlKhudhairiCurator of Modern and Contemporary Art at the Birmingham Museum of Art, Birmingham, AL

Jose Carlos DiazCurator of The Warhol Museum, Pittsburgh, PA

Matthew McLendonCurator of Modern and Contemporary Art at The John and Mable Ringling Museum of Art, Sarasota, FL (non-voting)

Joni GreenfieldGreenfield Foundation (non-voting)

Bruce E. RodgersExecutive Director of the Hermitage Artist Retreat, Englewood, FL (non-voting)



 
 
2015 DISCIPLINE  |  MUSIC

Bobby Previte  |  Composer/Drummer
Composer, drummer and bandleader, Bobby Previte studied at the University of Buffalo, surrounded by some of the pioneers of new music: John Cage, Morton Feldman, Lucas Foss, and Jan Williams, with whom he majored in percussion. He moved to New York City in 1979 and became involved with the downtown music scene, which has come to be known as contemporary-classical. A series of albums recorded in the late '80s established him as one of the relatively few drummers who were also composers of significance. Leading a plethora of diverse ensembles, he has performed at festivals and clubs worldwide, and has collaborated with some of the leading lights in and beyond the world of music - from master composer John Adams to rock icon Tom Waits to legendary filmmaker Robert Altman.

Previte has worked in theater, film and television, and has enjoyed residencies at The Rockefeller Foundation Bellagio Center on Lake Como, Civitella Ranieri, Montalvo Arts Center, and nine MacDowell Colony fellowships. In addition to the Greenfield Prize, Previte has received awards and grants from the Guggenheim Fellowship, National Endowment for the Arts, New York State Council on the Arts, New York Foundation for the Arts, The American Music Center, Mid Atlantic Arts, New York. His latest album is “Terminals", featuring five concertos for percussion ensemble and soloists.

GREENFIELD PRIZE MUSIC JURY

Linda GoldingChair, former President and CEO Boosey & Hawkes USA

Anne EwersPresident / CEO Kimmel Center, Philadelphia

David LangComposer, co-founder, Bang On A Can

Stephen MilesDirector, New MusicNew College. Sarasota, FL (Non-voting)

Joni GreenfieldGreenfield Foundation (non-voting)

Bruce E. RodgersExecutive Director of the Hermitage Artist Retreat, Englewood, FL (non-voting)



 
 
2014 DISCIPLINE  |  DRAMA

Nilo Cruz  |  Playwright
Born in Cuba and raised in Miami, Florida, Cruz is best known for his play Anna in the Tropics, which won the Steinberg award, the 2003 Pulitzer Prize for Drama and received a Tony nomination. His other plays include Dancing on Her Knees, Night Train to Bolina, A Park in Our House, Two Sisters and a Piano, Beauty of the Father, Lorca in a Green Dress among others. Cruz has translated Federico Garcia Lorca's The House of Bernarda Alba, Doña Rosita the Spinster; and Jose Sanchez Sinisterra's Ay Carmela. He also adapted Gabriel Garcia Marquez's A Very Old Man with Enormous Wings for the stage. Nilo has been the recipient of other awards and fellowships, including two NEA/TCG National Theatre Artist Residency grants, a Rockefeller Foundation grant and the San Francisco's W. Alton Jones award. In 2009 he won The Laura Pels Mid-career Playwrighting award and a Helen Merrill award for Excellence in playwriting. He also received the USA Ella Fontanals-Cisneros award from the United States Artists. Mr. Cruz has taught playwriting at Brown, NYU Gallatin School, Yale School of Drama, and the University of Iowa.

He recently co-wrote the screenplay Castro's Daughter with Oscar winner Bobby Moresco. His new screenplay is Anna in the Tropics. He also finished writing the libretto of Bel Canto, based on the novel by Anne Patchett for the Lyric Opera in Chicago. His new play Sotto Voce will premiere off-Broadway in February at Theatre for the New City and Miami Dade County Auditorium in March.

GREENFIELD PRIZE DRAMA JURY

Carey PerloffChair, Artistic Director, American Conservatory Theater, San Francisco, CA

Emily MannArtistic Director, McCartre Theatre, Princeton, NJ

Kawme Kwei-Armah OBEArtistic Director, Center Stage, Baltimore MD

Michael Donald EdwardsProducing Director, Asolo Repertory Theatre, Sarasota, FL (non-voting)

Joni GreenfieldGreenfield Foundation (non-voting)

Bruce E. RodgersExecutive Director of the Hermitage Artist Retreat, Englewood, FL (non-voting)



 
 
2013 DISCIPLINE  |  VISUAL ART

Trenton Doyle Hancock  |  Visual Artist
Trenton Doyle Hancock was born in 1974 in Oklahoma City, Oklahoma. Raised in Paris, Texas, Hancock earned his BFA from Texas A&M University, Commerce, and his MFA from the Tyler School of Art at Temple University, Philadelphia. Influenced by the history of painting, especially Abstract Expressionism, Hancock transforms traditionally formal decisions—such as the use of color, language, and pattern—into opportunities to create new characters, develop sub-plots, and convey symbolic meaning. Hancock’s paintings often rework Biblical stories that the artist learned as a child from his family and local church community. Balancing moral dilemmas with wit and a musical sense of language and color, Hancock’s works create a painterly space of psychological dimensions.

Trenton Doyle Hancock was featured in the 2000 and 2002 Whitney Biennial exhibitions, one of the youngest artists in history to participate in this prestigious survey. His work has been the subject of one-person exhibitions at Contemporary Arts Museum, Houston; Modern Art Museum of Fort Worth; and Museum of Contemporary Art, North Miami, the Seattle Art Museum, the Institute of Contemporary Art at the University of Pennsylvania, and the Fruitmarket Gallery in Edinburgh. The recipient of numerous awards, Hancock lives and works in Houston, where he was a 2002 Core Artist in Residence at the Glassell School of Art of the Museum of Fine Arts, Houston. (Biography info – www.pbs.org)

GREENFIELD VISUAL ART JURY

Dan Cameron, ChairChief Curator, Orange County Museum of Contemporary Art

James RondeauFrancis and Thomas Dittmer Chair and Curator, Department of Contemporary Art, Art Institute of Chicago

Valerie Cassel OliverSenior Curator, Contemporary Arts Museum Houston

Matthew McLendonAssociate Curator of Modern and Contemporary Art, John and Mable Ringling Museum of Art (non-voting)

Joni GreenfieldGreenfield Foundation (non-voting)

Bruce E. RodgersExecutive Director of the Hermitage Artist Retreat, Englewood, FL (non-voting)



 
 
2012 DISCIPLINE  |  MUSIC

Vijay Iyer  |  Pianist, Composer  |  www.vijay-iyer.com
"one of the world's most inventive new-generation jazz pianists" – Guardian (UK)

Grammy-nominated composer-pianist VIJAY IYER was described by Pitchfork as "one of the most interesting and vital young pianists in jazz today," by The New Yorker as one of "today's most important pianists...extravagantly gifted...brilliantly eclectic," and by the Los Angeles Weekly as "a boundless and deeply important young star." He was voted the 2010 Musician of the Year by the Jazz Journalists Association, and named one of the "50 Most Influential Global Indians" by GQ India. Iyer has released sixteen albums as a leader, most recently Accelerando (2012), an intense, visceral follow-up to the multiple-award-winning Historicity (2009), both featuring the Vijay Iyer Trio (Iyer, piano; Marcus Gilmore, drums; Stephan Crump, bass). Historicity was a 2010 Grammy Nominee for Best Instrumental Jazz Album, and was named #1 Jazz Album of the Year in The New York Times, The Los Angeles Times, the Chicago Tribune, the Detroit Metro Times, National Public Radio, PopMatters.com, the Village Voice Jazz Critics Poll, and the Downbeat International Critics Poll. The trio won the 2010 Echo Award (the "German Grammy") for best international ensemble and the Downbeat Critics Poll for rising star small ensemble of the year. Iyer’s many other honors include the Alpert Award in the Arts, the New York Foundation for the Arts Fellowship, and numerous composer commissions.

Iyer’s many collaborators include his generation’s fellow forward-thinkers Rudresh Mahanthappa, Rez Abbasi, Craig Taborn, Ambrose Akinmusire, Liberty Ellman, Steve Lehman and Tyshawn Sorey; elder avant-garde pioneers such as Steve Coleman, Roscoe Mitchell, Wadada Leo Smith, Butch Morris, George Lewis, and Amina Claudine Myers; new-music experimenters Miya Masaoka, Pamela Z, and John Zorn; hip-hop innovators Dead Prez, Das Racist, DJ Spooky, and High Priest of Antipop Consortium; South Asian percussionist-producers Karsh Kale, Suphala, and Talvin Singh; filmmakers Haile Gerima and Bill Morrison; choreographer Karole Armitage; and poets Mike Ladd, Amiri Baraka, Charles Simic, and Robert Pinsky. His concert works have been performed by Ethel, JACK, Brentano String Quartet, American Composers Orchestra, Hermès Ensemble, and Imani Winds. A polymath whose career has spanned the sciences, the humanities and the arts, Iyer received an interdisciplinary Ph.D. in the cognitive science of music from the University of California, Berkeley. He has published articles in Journal of Consciousness Studies, Wire, Music Perception, JazzTimes, and The Best Writing on Mathematics: 2010.

GREENFIELD PRIZE MUSIC JURY

Linda GoldingFounder, The Reservoir, Former President/CEO, Boosey & Hawkes USA Music Publishers

Jennifer KohViolinist

Limor TomerGeneral Manager of Concerts and Lectures, Metropolitan Museum of Art, NY

Derek Han (Non-voting)Associate Artistic Director, La Musica International Chamber Music Festival

Joni GreenfieldThe Greenfield Foundation (non-voting)

Bruce E. RodgersExecutive Director of the Hermitage Artist Retreat, Englewood, FL (non-voting)



 
 
2011 DISCIPLINE  |  DRAMA

John Guare  |  Playwright
John Guare's plays include Lydie Breeze; Bosoms and Neglect; The House of Blue Leaves, which won an Obie and NY Drama Critics Circle Award for the Best American Play of 1970- 71 and four Tonys in its 1986 Lincoln Center revival; Six Degrees of Separation, which received the NY Drama Critics Circle Award in 1991 for its LCT production and the Olivier Best Play Award in 1993. Grove Press publishes Landscape of the Body and A Few Stout Individuals. He wrote the lyrics and coauthored the book for the 1972 Tony-winning Best Musical, Two Gentlemen of Verona. His screenplay for Louis Malle's Atlantic City earned him an Oscar nomination. In 2003 he won the PEN/Laura Pels Master Dramatist Award; in 2004, the Gold Medal in Drama from the American Academy of Arts and Letters; in 2005 the Obie for sustained excellence. He is a council member of the Dramatists Guild and co-editor of The Lincoln Center Theater Review.

GREENFIELD PRIZE DRAMA JURY

Michael Bigelow DixonAssistant Professor of Theater, Goucher College

Eduardo MachadoPlaywright

Carey PerloffArtistic Director, American Conservatory Theater (ACT), San Francisco

Michael Donald EdwardsProducing Artistic Director, Asolo Repertory Theater (Non-voting)

Joni GreenfieldThe Greenfield Foundation (Non-voting)

Bruce E. RodgersExecutive Director of the Hermitage Artist Retreat, Englewood, FL (non-voting)



 
 
2010 DISCIPLINE  |  VISUAL ARTS

Sanford Biggers  |  Visual Artist  |  www.sanfordbiggers.com
A native of Los Angeles, California, and current New York resident, Sanford Biggers has won several awards including the New York Percent for the Arts Commission, Art Matters Grant, and the New York Foundation for the Arts Award in performance.

Mr. Biggers has also participated in several prestigious national and international artist residencies and fellowships including Headlands Center for the Arts, Sausalito, California, ARCUS Project Foundation, Ibaraki, Japan, and He has been a fellow of the Socrates Sculpture Park Residency, the P.S. 1 International Studio Program, and the Skowhegan School of Painting and Sculpture residency.

Sanford Biggers' installations, videos, and performances have appeared in venues worldwide including the Tate Britain and Tate Modern, London, the Whitney Museum and Studio Museum in Harlem, New York, and the Yerba Buena Center for the Arts, San Francisco, as well as institutions in China, Germany, Hungary, Japan, Poland and Russia.

Sanford has been included in several notable shows such as Prospect 1/ New Orleans Biennial and Illuminations at the Tate Modern, Performa 07. He has also had solo exhibitions in Los Angeles, London, New York, Berkeley, Kansas City and in Europe and the Far East.

Biggers is presently full time faculty at Virginia Commonwealth University Sculpture and Expanded Media program and was a visiting scholar and artist in residence at Harvard University in 2009.

GREENFIELD PRIZE VISUAL ARTS JURY

Dan Cameron (Chair)Founder and Curator, Prospect New Orleans

Heidi Zuckerman JacobsonExecutive Director / Chief Curator, Aspen Art Museum

Franklin SirmansDepartment Head and Curator of Contemporary Art, Los Angeles County Museum of Art (LACMA)

Mark OrmondCurator of Exhibitions, Ringling College of Art and Design (non-voting)

Joni GreenfieldThe Greenfield Foundation (non-voting)

Bruce E. RodgersExecutive Director of the Hermitage Artist Retreat, Englewood, FL (non-voting)

COMMISSION

Description
Mr. Biggers will be in residence several times in 2010, 2011, and 2012. He will be pursuing his commission at the time which will be exhibited in the spring of 2012.
 
 
2009 DISCIPLINE  |  DRAMA

Craig Lucas  |  Playwright
Craig Lucas' plays include Missing Persons, Blue Window, Reckless, God's Heart, The Dying Gaul, Stranger, Small Tragedy, Prayer For My Enemy and The Singing Forest. He wrote the book for The Light In The Piazza, music and lyrics by Adam Guettel; the musical play Three Postcards, music and lyrics by Craig Carnelia; the libretto for the opera Orpheus in Love, music by Gerald Busby; and he has recently completed the libretto for Two Boys, an opera with composer Nico Muhly, commissioned by the Metropolitan Opera and scheduled to premiere there in a co-production with the English National Opera. His new English adaptations include Brecht's Galileo, Chekhov's Three Sisters and Uncle Vanya, and Strindberg's Miss Julie. His screenplays include Longtime Companion (Sundance Audience Award), The Secret Lives of Dentists (New York Film Critics Best Screenplay), Prelude to a Kiss, Reckless and The Dying Gaul, which he also directed.

Twice nominated for a Tony (Prelude to a Kiss and The Light in the Piazza), three times for the Drama Desk (Prelude, Missing Persons and Reckless), he has won the L.A. Drama Critics Award (Blue Window), the Steinberg/American Theater Critics Award for Best American Play (The Singing Forest), the Hull-Warriner Award (The Light in the Piazza), the LAMBDA Literary Award (for his anthology What I Meant Was), the Flora Roberts Award, the Excellence in Literature Award from the American Academy of Arts and Letters, the Laura Pels/PEN Mid-Career Achievement Award and the Joan Cullman Award; he has twice won the Obie Award for Best Play (Prelude and Small Tragedy). He graduated from Boston University where he studied with poets Anne Sexton and George Starbuck. Lucas serves as Associate Artistic Director at the Intiman Theater in Seattle, and he is a member of the Dramatists Guild, the Writers Guild of America, the Directors Guild, SSDC and PEN America. He lives in upstate New York.

GREENFIELD PRIZE DRAMA JURY

Michael Bigelow Dixon (Chair)Resident Director, Playwrights Center, Minneapolis. Former Literary Manager, Guthrie Theatre

Oskar EustisArtistic Director, The Public Theater

Jim HoughtonArtistic Director, The Signature Theater; Director, Julliard Drama School

Michael Donald EdwardsProducing Artistic Director, Asolo Repertory Theatre (non-voting)

Joni GreenfieldThe Greenfield Foundation (non-voting)

Bruce E. RodgersExecutive Director of the Hermitage Artist Retreat, Englewood, FL (non-voting)

COMMISSION
(CRAIG LUCAS)

Description
Craig spent 108 days in residence at the Hermitage while he was working on his commission. During that time he wrote a full-length play, Love and Irony to fulfill his commission.

Update
Love and Irony underwent a development process at the Asolo Repertory Theatre in Sarasota, Fl. Directed by the author, the play saw two public performances in a staged reading format on April 2 and 3, 2010. The play is currently being re-written.

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